2CI use Reality and Velocity in conjunction with their own exclusive software to create "dynamic moving image solutions to heighten the emotion of any music/sound experience." Velocity has been "Very, very useful, because of real-time, the effects are instantaneous - nothing else on the market touches it." Both of the DPS software packages are used for different purposes. "Reality is used to capture the graphics, to trim, create basic project timelines, and create MPEG2's for our four-channel MPEG servers which are used on our live mix sets (clubs and festivals). For pre-edited projects we use Velocity."

Non-Linear Editing is one of the advantages of dpsVelocity and is used by 2CI for pre-rendering.

2CI's use of the systems allows the flexibility to create shows for a vast range of markets and venues from the international club scene, to music tours, and for use in feature productions for example:

2CI says. "In September 2000 Gareth Evans (our creative director) and Suzi Karakashian (from Orphan Drift) had the pleasure of creating graphics for Steven Spielberg's blockbuster 'A.I. (Artificial Intelligence) '….Our graphics were used as a back drop to a twenty-minute scene called Flesh Fair, where the industrial rock band Ministry played to an audience of about 900 extras…. the graphics were displayed on three large LED screens on the stage for the duration of the carnage that was shot over a two-week period.